CfP: The Avant-garde and its Networks: Surrealism in Paris, North Africa and the Middle East from the 1930s

Date: 14-15 November 2016
Venue: Orient-Institut Beirut
Organizers: Orient-Institut Beirut/Deutsches Forum für Kunstgeschichte Paris

Group exhibition Cairo

Invitation card for the third exhibit of “Free Art”, Cairo 1943 (repro. in Samir Gharib, 1986)

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CfP DiverCities: Contested Space and Urban Identities in Beirut, Cairo and Tehran

divercitiesFrom the 12th until the 14th of December 2013 the Orient-Institut Beirut and the Goethe-Institut Beirut will be hosting the international conference “DiverCities: Contested Space and Urban Identities in Beirut, Cairo and Tehran”. The conference aims to look at urban governance, its agents, agendas and options, through contested space and conflicting urban concepts, identity claims and social environments. Rapid urbanisation and demographic change, antagonistic political and economic interests, and the diversity of cultural patterns have impacted and continue to impact the make-up of local neighbourhoods and use of public space in urban centres. Situated at the core of social and political fractions, contested spaces reveal insights into the dynamics of diverse societies and urban identities. Contested space here is understood as the physical space at the centre of conflicting interests as defined by different social actors. The focus will be on the three cities of Beirut, Cairo and Tehran, each highlighting different types of fragmentations, political, cultural and social.

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Wall in Beirut
Picture: my inner voice, CC BY 2.0.

The focus will be on the three cities of Beirut, Cairo and Tehran, each highlighting different types of fragmentations, political, cultural and social. Beirut leaves one with the question of “Whose space is it”? Different social layers coexisting in close proximity to each other, in combination with competing economic interests over the already densely populated urban space, make the city host to many areas of contestation. This applies as much to supposed public spaces like the barely accessible al-­Horshal-­Snawbar as it does to places like Raouche where investors take little interest in cultural diversity. In Tehran cultural fragmentations impact on urban life, cultural here referring to norms, values and practices, what is considered right and wrong by different sections of society and the multi-­layered ruling establishment. In a place where public space is there and accessible but controlled by the morality police who often hold different values to the society, citizens take refuge in the private – impacting on the delineation of public and private space. Cairo has probably been hardest hit by demographic change, and has to constantly deal with the challenges rapid urban expansion brings with it. The question of formal versus informal space plays an important role in urban governance in a socially fragmented city. What are the advantages and disadvantages of each in terms of fostering social cohesion while ensuring diversity? How are contested spaces governed on a local level?

The aim of the conference is to gain insights into experiences of urban governance as it is perceived and practiced by different lobby groups and social agents in view of the ambivalence of public space in diverse societies. We invite academics and practitioners (urbanists, architects, civil society activists, anthropologists, political scientists etc.) to submit papers dealing with contested space and urban identities in Beirut, Cairo and Tehran addressing one of the following three panels:

Panel 1: Claims and Agency

Sociology of space in the twenty-first century is still informed by the basic Marxian insight that human beings ‘make’ their own history, but that they do so under ‘given’ circumstances not of their own choosing to which they may relate by means of using, controlling, circumventing, subverting, transforming, or eliminating them. Material, social, and ideational ‘structures’ both confine and empower human agency (Giddens). This is particularly visible in the complex interplay between human actors and their spatial and built environments. The dialectics of material and socially constructed spaces (Lefebvre, Löw) are at the core of Urban Studies. This panel will focus (a) on the legal, moral, economic, and political claims that conflicting urban actors in the three cities may advance to control ownership, access, and uses of urban spaces, and (b) on their opportunities, resources and strategies to realize or renegotiate these claims.

  • What are the factors fuelling antagonism between different claims over the use of urban space (needs and means, economic interests, cultural diversity)?
  • What are the power dynamics over contested spaces?
  • What are the legal frameworks, political constraints, options and loyalties of different actors (municipalities, civil society, political parties etc.) in governing contested spaces?
  • What modes of symbolic appropriation of urban space do we observe?

Panel 2: Between Public and Private
Despite its historical contingency, the concept of a public space remains a powerful utopia that is strongly connected to the idea of a political space and to individual citizenship. As empty signifier a dichotomy of public and private continues to be the frame of reference for politicians, urban planners, and city dwellers on every level – normative, conceptual, and empirical. Every concrete meaning and manifestation of this dichotomy has an immediate impact on the lived, built, and imagined city, which is necessarily contentious and a dystopia for many of the individuals affected. The particularities of these negotiations between state agents, corporations/private–‐ interest groups, and populations over the quality of urban spaces are at the core of this panel.

  • What does it mean for a city’s spatial texture when the private becomes public and the public becomes private?
  • How do moral norms (whether imposed by society or the state) affect the delineation of public and private space, and how do diverse concepts coexist or clash?
  • How do (changing) gender relations define public and private space and how are they formed by the structural design of urban space?
  • How do alternative public spaces influence cultural production and how do manners of cultural production alter space?
  • What influence does virtual public space have on real space?

Panel 3: Open Air Spaces of Gathering – Norms and Practices
Open air spaces, whether designed for leisure purposes or as busy city squares, prestigious urban focal points and the like, often serve as public meeting places that may acquire a more specific significance for the assertion of citizen rights and contesting political power. The recent conflict over Gezi Park in Istanbul may illustrate this, and the importance of People’s Park in California in the debate over public space and the conceptualisation of the latter by diverse members of society (Don Mitchell) is an often‐cited example. This panel will focus on case studies of urban governance by looking at public open air spaces of gathering such as Horsh Beirut, Sioufi Park, the Corniche or the Beirut Waterfront, al‐Azhar Park or one of the Mayadin in Cairo, and public parks such as Laleh Park or equivalents in Tehran, and the intricate interplay between them and the public sphere. The aim is to discuss to what extent the spaces are used the way they were designed, who determines their use and whether and how this use is culturally and politically contested. The direct comparison between three structurally similar spaces of gathering in the three cities is of particular interest in this panel?

  • What are the symbolic, normative and practical frameworks of collectively used open air spaces?
  • How and under what circumstance do spontaneous popular practices create public open air space or alter its character?
  • In how far is the use of open air space culturally and politically encoded and contested?
  • What are the public order policies applied to such spaces and who is responsible for them?

The deadline for submission of abstracts (300 words) addressing one of the above panels is 31 July 2013. Please send your abstract together with a short biographical statement to Nadia von Maltzahn (maltzahn@orient-institut.org). Successful applicants will be notified by late August 2013. The conference language is English.

Call for Papers as a PDF

Max Weber Stiftung

The Max Weber Foundation promotes global research, concentrated around the areas of social sciences, cultural studies and the humanities. Research is conducted at ten institutes in various countries across the globe with distinctive and independent focal points. Through its globally operating institutes, the Foundation is able to contribute to the communication and networking between Germany and the host countries or regions of its establishments. By promoting scientific dialogue and merging academic as well as non-academic employees from several countries with different cultural backgrounds, the Max Weber Foundation is able to strengthen the Internationalization of research in its three fields of dedication.

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Video Inverted Worlds: Keynote Address by Elias Khoury

The Inverted Worlds – Congress on Cultural Motion in the Arab Region was held in October 2012 by the Orient Institut Beirut and focussed on exploring arenas and manifestations of cultural change effective in the eventful and disruptive outbursts of the Arab spring. The Keynote Address was given by the journalist, literary critic, novelist and dramaturge Elias Khoury. Khoury was born in Beirut in 1948 and studied history and sociology at the Lebanese University in Beirut and in Paris.

He supported the interests and rights of Palestinians and worked at the PLO Research Center in Beirut in the 1970s and published Shu’un filastiniya (Palestinian Affairs) together with the Palestinian lyric poet Mahmud Darwish. In 1979, as editor for literature, he switched to the daily paper As-Safir, where he worked until 1991. Since 1992 Khoury has been publisher and editor-in-chief of the culture and literary supplement to Beirut’s daily paper An-Nahar.

Elias Khoury
(Suz, CC BY-SA 2.0)

Elias Khoury is considered one of the leading contemporary Arabic intellectuals and writers. His literary work includes eight novels, including al-Jabal al-Saghir (1977), Rahlat Gandhi al-Saghir (1991), and Abwab al-Madinah (1993). The novel The Kingdom of Strangers (1996) shows the Lebanese capital as the scene of warring historical and political powers, as the scene of the Israeli-Lebanese war, which breaks apart at the seams of its various ethic groups, languages, and religions during the civil war.

His novel Bab Al-Shams (1998) was translated into Hebrew and received the Palestine Prize. It was named Best Book of the Year by Le Monde Diplomatique, The Christian Science Monitor, and The San Francisco Chronicle, and a Notable Book by The New York Times and The Kansas City Star. A novel was thereby honoured that told of the Palestinian exodus and the life of the Palestinian refugees in the Lebanese camps. In 2004 the novel was turned into a film by Yousry Nasrallah.

Khoury’s novels have been translated into numerous languages. His recently released As Though She Were Sleeping was shortlisted for the Guardian’s 2011 Book of the Year. He also is the author of numerous plays, which have been performed, among other places, in Beirut, Cairo, Paris, and Vienna. Since 2001, Elias Khoury is global distinguished professor at New York University (NYU), and since 2011 he is the editor of the Journal of Palestine Studies.

During his Keynote at the Inverted Worlds Congress, Khoury made the point that the Arab Revolutions are still in the forming and that the Arab World is in the midst of a change, what oblies people like him to be humble. The Keynote Adress was filmed and can be watched here:

Congress “Inverted Worlds”: Keynote Address by Elias Khoury, October 4, 2012 from maxweberstiftung on Vimeo.

Inverted Worlds

OIB Congress Trailer from maxweberstiftung on Vimeo.

The Inverted Worlds – Congress on Cultural Motion in the Arab Region was held in October 2012 by the Orient-Institut Beirut and focussed on exploring arenas and manifestations of cultural change effective in the eventful and disruptive outbursts of the Arab spring. Over the five days of the congress, artists, activists and academics engaged in debate and exchange. During that time the congress addressed the manners and means of articulation and self-imaging, the medial catalysts of change, the framing that encourages both mobilization and individual action towards change, the tools and inspirations of nonviolent resistance.

The chosen metaphor of inversion relates to both the moment when established orders were toppled, and the momentum carrying cultural change in the region. The political vagueness of popular unrest and of its various backgrounds, as well as the complexity of the ensuing political itineraries, strongly encourage inquiry into the broad cultural resonances and diverse expressions which feed the aspirations for change and inspire resistance.

The congress took place in different venues in Beirut and had multifaceted topics. Scientists and those engaged in the cultural sector from all over the world discussed the cultural effects of the Arab spring. Yves Gonzalez-Quijano from Université de Lyon for example talked about Arab Rap: a Culture of Revolution and a Revolution in Culture. Sinisa Sikman from OTPOR! and Canvas in Serbia argued how ‘Nonviolent Movements are Dictators’ Worst Nightmares’.

The congress was accompanied by cultural events: A Night of Independent Arab Short Films and a Hip Hop Concert with Khat Thaleth entertained the participants.

Mish ma32ool

Das Blog begleitet die wissenschaftlichen Aktivitäten des Orient-Instituts Beirut. Das Institut, gegründet 1961 durch die Deutsche Morgenländische Gesellschaft, betreibt und fördert Forschung zur Geschichte und Gegenwart des Nahen Ostens und der arabischen Welt. Es ist ein Ort des Austausches unterschiedlicher Sichtweisen und Erkenntnisziele. Die Pluralität konfessioneller Sonderperspektiven im Libanon und die landesübliche Mehrsprachigkeit der wissenschaftlichen Artikulation sind Impulse, welche die Dringlichkeit und Schwierigkeiten von Austausch und Verständigung hervorheben. Neben der traditionellen historischen und philologischen
Perspektive werden verstärkt Ansätze aus benachbarten Wissenschaften wie Sozialanthropologie, Politikwissenschaften, Soziologie und Linguistik aufgegriffen. Im Jahr 2010 eröffnete das Institut ein Büro in Kairo.